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The only thing he’s done to the guitar was swap in Tom Anderson H3 (bridge) and H1 (neck) humbuckers to match the sound Billy achieved on APC’s recordings.

For additional tube-tone tweaking, Mc Junkins incorporates a Demeter Tube Bass Pre-Amplifier and all of his effects patches are coming from the Fractal Audio Axe-Fx II.

The guitar has been upgraded with Tom Anderson H3 (bridge) and H1 (neck) humbuckers, is tuned to C#, and has a custom set of Ernie Ball Slinkys (.056–.044–.032–.020P–.017–.012).

All of his guitars, including this beast, has an added cap so when he rolls off the volume he doesn’t lose any of the guitar’s tone.

Onstage, he controls everything with a Voodoo Lab Ground Control.

This is Billy Howerdel’s main squeeze—a 1960 Gibson Les Paul Classic Reissue that is actually two guitars he put together from his days as Trent Reznor’s tech for Nine Inch Nails.

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